Jim, you got anything we sure dio question from Echo Bach.
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And if I really need to be fast, what I'm gonna be able to do is take the audio, move it from final Cut into Adobe Audition or moving into avid pro tools, and I could do a complete sound mix there, and it's easy to move files from Final Cut 10 to Pro Tools or Bullet from Final Cut 10 to Audition So we have full power of audio digital audio workstation at our disposal for doing really sophisticated mixes. Yeah, would be nice to have both, but frankly, the fact that we've got a precise way of doing it so it sounds exactly the way that we want is better. What it doesn't do is it doesn't give us a really efficient, fast way to do a dissolve between the two. What this does is it gives us the absolute maximum of control as we're cross fading between the audio.
Um, and we just drag out the cross fade dot equal the dissolve between the two clips. So we grabbed the edges of the clip when we overlapped. But at this moment, although we can do that for video, we can't do it for audio. It could be argued that it would be nice if Apple gave us a a single keystroke command that we could do an audio transition between.
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And I'm not gonna play it because it doesn't make sense because it's Dr Cerf talking in both instances, but you grab the e.ĭges of each clip and you overlap them Then you grab the fade dot which is always in the top right corner at the out, in the top, left corner of the end, and you look for the cursor to turn into those two left, right, pointing arrows and you do a manual cross fade. Aiken do dissolves between video, but I can't do transitions like cross fades between audio the way that we would do this. Okay, in the past, what we would do is we would apply a and, ah, in effect, a transition that goes between the two of them. Zoom in when we when we have two clips, audio clips that that touch but together. Let's work with these two clips or double click this one. See the audio and the video and let's double click. We can do the same thing, but it's done entirely differently. I could just right click on him, and I could do like a six frame dissolved between them really quick. Larry, I was wondering in older versions of Final Cut Pro, when I would have to audio tracks butted together. 8 Ratings and Keywords 32:21 9 Reviewing Clips for Edit 25:13 10 Importing Clips 19:26 11 Editing an Interview Demo 33:20 12 Replace Edit and Timeline Index 32:50 13 Compound Clips and Auditions 18:27ĭay 2 14 Editing Review 13:34 15 Trimming Part 1 28:43 16 Trimming Part 2 39:03 17 How We Hear 21:51 18 Audio Key Terms with Q&A 12:14 19 Audio Basics, Meters, and Inspector 31:01 20 Audio Q&A 08:55 21 Dual System Sound and Audio Analysis 28:58 22 Multicam Editing Part 1 27:08 23 Multicam Editing Part 2 15:02 24 Transitions Part 1 23:27 25 Transitions Part 2 24:06 26 Formatting and Animating Titles 30:18ĭay 3 27 Additional Effects 12:36 28 Editing and Trimming Review 11:58 29 Changing Speed of a Clip 31:31 30 Inspector Effects 36:35 31 The Effects Browsers and Generators 19:37 32 Blend Modes 17:10 33 Effects Q&A 13:58 34 Simple Effects 16:52 35 Intro to Color Correction 18:20 36 Video Scopes 19:25 37 Color Correcting for Video 20:28 38 Color Correcting Skintone 23:11 39 Color Correction Q&A 08:54 40 Audio Effects Part 1 26:20 41 Audio Effects Part 2 23:08 42 Exporting and Sharing 21:28
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